Friday, 30 January 2015
Tuesday, 27 January 2015
Wednesday, 21 January 2015
Monday, 12 January 2015
Q7
Q7: Looking back at
your preliminary task, what do you feel you have learnt in the progression from
it to the full product?
I feel like I have developed
massively from knowing nothing when we before filmed the preliminary task to
being quite proficient at all skills involved in producing the final product.
All I knew when I started this course and up until the preliminary task was how
to start recording the camera and the basics of movie maker, but when starting
the final product, I had learnt how to use all aspects of IMovie 10.0.6, the
importance of composition and framing, all shot types and why and how they are
used, and the use of Mise-en-scene. I still have areas that I can improve but
on the whole I have developed a lot and will continue to develop.
The strengths of my preliminary
task were that it was entertaining, met the brief I was given, and I used a
variety of shots, editing and sound. I made it a quite over the top satire of
traditional spy movies, with antagonist with a terrible German accent, which
everyone found quite funny and even though the acting wasn’t amazing, they
found it entertaining. I was asked to use shot-reverse-shot, the 180 degree
rule and a good level of continuity, which I followed and it worked a lot
better than if I had just filmed something. I used a variety of shots, such as
close-ups, editing techniques like the flashes to white, and non-diegetic sound
effects such as the gun shots. These were effective at making the piece look
more professional and entertaining for the audience. The weaknesses of my
preliminary task were that the camerawork wasn’t perfect, it could’ve been
edited better and there could’ve been more shots. The camera work and editing
wasn’t the best as I did not know how to use iMovie or the cameras very well
and with the time constraints I had to film and edit it without much practice.
The preliminary task would’ve looked better if it was faster paced which meant
I should’ve filmed more shots.
One skill that I have definitely
developed the most is my camerawork/filming skills. I didn’t know much before
the preliminary so when it came to it all I knew was how to point and film. Working
up to the final product I learnt many skills including framing, composition,
match on action and shot reverse shot, which are all important filming
techniques which add to the continuity and make it aesthetically pleasing.
These skills were very useful for filming my final product so that it was more
professional looking and more entertaining for the audience.
When planning the preliminary I
didn’t plan a lot, I had a script, a shot list and a storyboard but not much of
the Mise en scene and sound was planned, and I also didn’t go into too much
detail with my planning which is why I think it was lacking in terms of overall
quality. However when it came to filming the final product, I planned every
detail out in detail, from the Mise en scene to the risk assessment, I made
sure I had everything so I knew exactly what I was filming when. I think
because of this the final product was much better, with a lot more quality and
professionalism to it.
I believe my opening is very
successful overall, it meets the brief given and I am pleased especially with
certain elements of it. One element I am especially pleased with is the
editing, a lot of hours went into editing so that it was a faced paced thriller
and I think this made it look more professional and entertaining. I am also
especially pleased with the camerawork, as we had a variety of different shots
but also followed the conventions of having many close-ups and extreme close
ups, which is why it was faster paced but also interesting to watch. Some areas that I would have liked to improve
are a few shots and the music, as some shots could’ve been re shot to look
better and the music isn’t as synchronous with the visual aspect as I would
like.
Thursday, 8 January 2015
Q6
What have you learnt about technologies from the process of constructing this product?
Digital video camera: for my
thriller opening I tried out a few different types of cameras, looking between
normal cameras that can take video, video cameras and mobile phone cameras, in
order to see which would be the easiest to operate and have the best video
quality. I finally decided on using the IPhone
6 64 Gb phone’s 8 mega pixel camera, for its HD 1080p Quality video, digital
stabilisation (automatically stabilises the video as you record), autofocusing
with auto-exposure, to allow the right level of light and focus for the scene
being captured, and that it was simple to operate with one touch video
recording. Using this I learnt how it’s not always easy to use a tripod to keep
the camera steady, so using your surroundings such as a branch or walk or even
another person to steady yourself works just as well and any messy camera work
can be fixed with stabilisation. I also learnt that with this camera even
though you could zoom in the quality is a lot better if you just move the
camera to the distance required, and it’s a lot steadier. Some shots however
were hard to achieve such as the high angle shots, where I would have to
position myself up higher in order to be able to film it. As we were only
filming one person, the 180 degree rule didn’t apply and so we could film her
at any angle and not ruin the continuity of the piece. I chose to film in the
woods as I wanted a setting that would feel unnatural to the character and
would provide a good level of lighting for shooting. I also wanted to use the
weather, since it being autumn, there as a lot of rain and it was usually
overcast however on the day it was a lot sunnier so I had to use that to my
advantage with it seeming to contrast what was going on. I also used many close
ups in order to create a sense of mystery with a lot of the scene being hidden
from the audience so I would have to move close to whatever I was filming and
sometimes crouch on the ground. I also tried to stick to the rules of thirds
when framing so that it was aesthetically pleasing compositionally. I also had
to do a lot of tracking and panning when following the character so the
stabilisation on the camera was useful in keeping the video from becoming
jittery.
Editing software: I chose to use
IMovie 10.0.6 to edit as it was easier to use and had many more options than
most other editing programmes I researched. I had to edit a lot of the footage
so that it worked continuity wise and also with the close ups, keeping them
frequent so that it was fast paced but also making sure the meanings I was
trying to convey through the use of Mise en scene apparent. It was easy to
import the footage as I was using a Mac air laptop, which is compatible with
IPhones since they are both Apple products, so using the lead we transferred
the videos straight to the hard drive and then to IMovie. I had to edit the
footage so that it fit the structure of the narrative. For the most part I had
the shots in chronological order on the phone so all I had to do was transfer
them straight to the software and almost all the unedited footage was in the
right order. Having it edited like this helped build up a tense atmosphere that
was released at the climax. We sometimes slowed down areas to create better
visual/sound effects, like in the last shot, where having it at normal speed wouldn’t
work. We used a lot of flash to white
transitions in order to create the effect of transferring to a flashback shot. We
also used a lot of visual effects like filters, like black and white to show
that it’s a flashback or editing the filter to make the scene look more eerie
and build suspense. We used mainly diegetic sound but we added non-diegetic
sound effects at the end for the sound effect of the antagonist hitting the
protagonist. Using this recent format of iMovie allowed us to create idents
easily, that were individual to us. Exporting the final project was easy as we
could upload it straight to YouTube without any problems.
I used other technologies to help
with my work. The biggest help was the internet which is where I got most of my
research, from a variety of websites which I don’t think I could’ve gotten from
any other resources. I also used Facebook and its messenger to communicate with
the rest of my group and coordinate what we were filming, editing etc.
Wednesday, 7 January 2015
q5
How did you attract/address your audience?
In order to make our opening appeal
to the audience I used a strong detailed narrative that adds to the suspenseful
atmosphere and leads to action in the climax of the opening. I also used
camerawork, editing, Mise-en-Scene, and sound alongside this to make it more
entertaining.
I fulfilled my audience’s expectations
of my thriller through using feedback I received through polls, vox pops, and questionnaires.
One thing that I knew I had to include was a lot of action as nearly everyone
who gave feedback mention more action, as I don’t think our thriller was fast
paced and “thrilling” enough. So to fix this we had a build-up suspense throughout
the opening that led to the murder of the protagonist. Another thing that
people were expecting from my thriller was an intricate, detailed narrative
that they could relate easily to. So I planned out the basic plot of the rest
of the film and had the opening relating closely to what would happen then as
to the opening.
I received some good feedback
comments about my thriller opening when show to a focus group of my target
audience. Many gave the generic comments of “it was good” and “I liked it” but some
were more specific saying how they liked our use of Mise en scene, such as the
props like the pictures, in order to relate the rest of the film to the opening
and give meaning to what was going on. They also liked our use of setting, with the
forest adding to the suspenseful atmosphere. Another point given was our good
use of camera work, with the large variety of shot types used. One other point was that our editing was good with the
continuity of shots and visual effects used. So overall we received a lot of
good, useful feedback.
My opening links to many other
recognisable thriller openings with how it appeals to the audience. One example
is the opening to the dark humoured, thriller/drama series “Dexter”, where in
their opening sequence they used Mise en scene to link subtly to the plot in a
gory way, using close ups to create mystery. In my thriller I used props to
link to plot as well, however I was more direct with what I wanted to show
them. Also I used a lot of close ups and extreme close ups to create mystery
and suspense through showing them
specific things, and build up the tension. Another thriller opening that is
similar to mine is The House at the End of the Street. Although its no an
opening sequence, the narrative of the opening is still similar to mine with a
suspenseful atmosphere through the progression of the narrative, which is
building up to the climax of a murder, which is intended to shock and entertain
the audience so that they will watch the rest of the film.
Q4
What would be the audience for your media product?
I identified my audience as anyone who enjoys a good thriller
but young people/couples in particular; who are aged 16-24 and some areas of
the film are specifically targeted to females with the issues discussed. I
chose this as my audience as this audience would relate to the issues discussed
and the social group portrayed as they are very similar. Many issues are
portrayed such as abuse and violence which show how vulnerable the social group
are and it’s important to highlight this to my audience as they are close in
age and need to be aware of the issues surrounding the lives of people who are
just like them.
Age: 16-24
Gender: any gender however sometimes women are specifically
targeted
Class E/D as people of that age group would not have careers
yet or still be students
They would watch many thriller, reality shows, action
movies, listen to rock music or music with deep and meaningful lyric that are
relatable, and they would use a lot of social media to interact with people,
they would be very social.
Most of the audience members I asked, said they would be attracted to watch a thriller that has a lot of action that is built up with suspense, along with a detailed narrative and characters. I used this information to make my thriller more appealing to the audience I want to appeal to.
I researched my audience using many different forms in media
such as Vox pops, questionnaires, poll everywhere, focus groups, and the
internet. I targeted a wide range of people within my audience in order to get
the best idea of what I should put into my thriller. This helped me gain a
better insight to what my audience wants and what issues they feel are
important to address. Their feedback we received on our initial ideas were:
·
Do you
like the name: Out of 5: 4 5 4 4 3 4 3 3 3
·
Would you
watch it: yes yes yes yes no yes yes no no
·
What do
you like about the story? Unique unique Good storyline unique Cool
narrative A lot of suspense On the run/ hunted aspect A lot of thought went
into it Good ideas
·
Are the
titles clear: 3 3 3 4 4 4 3 5/ yes 4
·
What
should be improved? Show typography of the titles Show typography of the
titles Show typography of the titles Chase scene too generic Communication to
the audience More exciting name Show your audience Too cliché
·
Rate the
film out of 5*’s/ 3 3 4 3 3 4 4 3 3
·
I think our film pitch went well because we got
a good score for our first pitch and most people liked our ideas. We had an
average name rating of 4 which is really good as most people understood our
thought behind the name and what it represented within the narrative. Almost
everyone wanted to watch it which is obviously good; those who did not said it
was because it wasn’t their type of film. We got good feedback on our actual
plot idea, saying it’s unique and suspenseful. We also got a 4 for how clear
are the titles, which are good as we know that our ideas could work. Overall we
had a score of 3 out of 5*’s for the film which means our film is good but we
have to work on improving the titles and such. I think the thing we need to
improve the most to make it suit the audience would be making sure our typography
suits the genre well enough.
Based on this I saw that I need to get more research on what
the audience wanted based on their expectations, which were more action, and a
fast paced opening with a good narrative.
I think that my film would get a rating of a 15 due to the
harsh, mature themes and violence within the film that would not be suitable
for children. This wouldn’t be too violent of a film but the issues are mature
and can be distressing so our target audience would have to be prepared in case
they upset by some things they may see, which I believe is unlikely. Thrillers with similar audiences are The House at the End of the street, You're Next and Shutter Island with the maturity of the films/themes they produce.
Q1
Q1: in what ways does your
media product use, develop or challenge forms and conventions of real media
products.
A thriller is a
film or TV series that uses suspense, tension and excitement as its main form
of entertainment. They rely heavily on the use of mystery and detailed
narrative. Thrillers influence a viewer’s moods, giving them feelings of
anticipation, uncertainty, surprise, anxiety and terror. Thrillers are usually
adrenaline-rushing, gritty, and fast-paced. There are many sub-genres to
thriller but the most common are: psychological thrillers, crime thrillers,
erotic thrillers and mystery thrillers.
The sub-genre I
chose was a hybrid-sub-genre; a Horror/psychological thriller which I chose as
it enabled us to choose a quite different narrative to current thrillers and
stand out more. Psychological thrillers have very detailed narratives in order
to peak the audiences interest, create emotional dialogues and build tension at
plot twists and other climaxes in the plot, examples of this are Shutter Island
and The Ward. My thriller is similar to these as we created a detailed,
realistic narrative to base my opening off of, which both of these films have.
Horror thrillers build a lot of suspense and tension in order to scare the
audience at peaks and climaxes in the narrative as so to create a tense
atmosphere and make the audience have feelings of anxiety and terror, examples
of this are Insidious and the House at the End of the Street where they are
thrillers with horror elements intertwined in the narrative, which mine also
has with the stalking, unknown antagonist in the opening.
With this
sub-genre I have chosen the audience will be expecting a very detailed
narrative, with complex characters and ideas, along with horror elements
throughout the plot, where suspense is built until there’s a climax in some
scenes which will scare the audience or at least make them feel uneasy. In
Shutter Island there are these scenes like in the underground prison and he is
suddenly attacked. These types do not detract from the rest of the plot but
enhance the suspense. Overall they will want to see this complex plot and
horror aspects work well together so the film flows well with continuity so it
is enjoyable to watch.
The elements of
the psychological genre that I used were the detailed narrative, with complex
characters as I thought and planned a lot of what the rest of the film would’ve
been like and who my characters were, and the ideas they represented. Thrillers
such as Shutter Island and The House at the End of the Street have narratives
similar to this, as both are based off of detailed backstories that make the
characters more complex and overall further the narrative. I developed the
elements where there’s emotional dialogue as I wanted there to be even more
than most other psychological thrillers, even though I only created the
potential for it in the opening, it meant the audience could expect there to be
a lot more than other thrillers. This is done a lot in Shutter Island, with the
involvement of him seeing his dead wife and children and how that is explained.
I challenged the elements where the actual scenario had to be exaggerated to be
entertaining, for example in Shutter Island where there is a huge conspiracy,
as I believed just having a realistic scenario would be more effective and
entertaining. The elements of the horror genre that I used were the build-up of
tension which leads to a climax, as I felt it would be effective for creating a
thriller atmosphere that would create more suspense overall. This is done in
Horror/thrillers such as Insidious, where there are the horror elements that
are the most thrilling parts as they build up suspense but work well with the
progression of the narrative. I developed the character types within the genre,
as typically the characters presented in horror films aren’t very detailed,
like in As Above, So Below where it’s a found footage movie so you do not know
very much about the characters, but this works well. This is a contrast to
thriller characters so I made sure our characters were more detailed. The
elements that I challenged were the excessive use of violence to create horror
as I felt this was unnecessary to show a murder, so instead I used a lot of
close up shots and sound effects to give the same idea as that.
The conventions
of a thriller and which ones you do and don’t use determine whether your
thriller will be effective at entertaining the audience. The typical shot types used in thrillers are close ups, extreme close ups, panning
and tracking shots.
The close ups and extreme close ups are used in order to show a small section of what is going on and highlight key things in the composition of a scene, for example someone’s facial expression or a piece of the Mise-en-Scene. This creates suspense and tension in a scene as the audience can’t see exactly what is going and therefore they are feeling anxious and uncertain over what could happen in the next few shots. It also helps build up the narrative with linking specific things to other areas of the story so that the audience sees how the plot is progressing. A good example of a good use of Close-ups and Extreme close-ups is in the Psychological thriller Shutter Island, where the use of them creates a lot of suspense that builds up to action sequences. i used this in my thriller in order to get the same effect where a use of close ups and extreme close ups throughout the opening builds up suspense to the action at the end.
The Panning and tracking shots are used in order to show action, especially chase scenes, where they will a “Dolly” to follow what is going on. The following of the action with these shots means that the audience will feel part of the action and make it more enjoyable to watch compared to a normal, still shot. Many thrillers use these to show action sequences such as You’re Next with most of the chase sequences; panning as the characters are running. I challenged this convention with using panning and tracking shots to build suspense more in the elad up to action rather than furthering the momentum of an action shot.
The close ups and extreme close ups are used in order to show a small section of what is going on and highlight key things in the composition of a scene, for example someone’s facial expression or a piece of the Mise-en-Scene. This creates suspense and tension in a scene as the audience can’t see exactly what is going and therefore they are feeling anxious and uncertain over what could happen in the next few shots. It also helps build up the narrative with linking specific things to other areas of the story so that the audience sees how the plot is progressing. A good example of a good use of Close-ups and Extreme close-ups is in the Psychological thriller Shutter Island, where the use of them creates a lot of suspense that builds up to action sequences. i used this in my thriller in order to get the same effect where a use of close ups and extreme close ups throughout the opening builds up suspense to the action at the end.
The Panning and tracking shots are used in order to show action, especially chase scenes, where they will a “Dolly” to follow what is going on. The following of the action with these shots means that the audience will feel part of the action and make it more enjoyable to watch compared to a normal, still shot. Many thrillers use these to show action sequences such as You’re Next with most of the chase sequences; panning as the characters are running. I challenged this convention with using panning and tracking shots to build suspense more in the elad up to action rather than furthering the momentum of an action shot.
Typical editing techniques used in thrillers
are cross-cutting sequences, flash to
white/black, jump cuts and visual effects. Cross-cutting sequences are used
to show action in conjunction with panning and tracking shots usually, as they
work in the same way. A cross-cutting sequence is when you are following two
linked action sequences at the same time where it cuts to and from each
sequences, so you have a good idea of what’s going on in both sequences. These
are generally used in thrillers in order to show action such as chase sequences
and allow the audience to see what’s happening in both parts of the chase, this
creates suspense with the audience knowing where the person being chased is in
comparison to the chaser. Again in most thrillers this is used such as again
the chase sequences of You’re Next where it cross cuts between the victim and
the murderer.I also challenged this convention as i wanted to use the cross cutinng between many flashback shots throughout my opening rather than again improving upon the action scene, and I think the way I have used this was effective in building up the narrative and supsense instead of action.
Flash
to white/black are used to create suspense
through hiding what is happening in the shot for a second, which could hide
someone disappearing or appearing or show a flash of an image, for example.
They effectively create tension and show narrative in some cases, and also can
create “scares” which are especially useful in horror thrillers. This used in the Thriller Shutter Island where it flashes to show a flashback/ something that he is seeing isn't real, which furthers the narrative and builds some dramatic tension. I developed this conevntion with using flash to white to show the images from the past, developing our narrative, and building some tension with the sequence with what was currently going on.
Jump cuts are used in the same way as flashes in thrillers, where they could hide someone disappearing or appearing into a shot. This is especially useful in creating a climax after suspense has been built. This is used in The House at the End of the Street to cause a scare for the audience and release the suspense that has been building in the scene. I used this convention in order to make the climax of action with the murder more dramatic and shocking, making it more thrilling.
Jump cuts are used in the same way as flashes in thrillers, where they could hide someone disappearing or appearing into a shot. This is especially useful in creating a climax after suspense has been built. This is used in The House at the End of the Street to cause a scare for the audience and release the suspense that has been building in the scene. I used this convention in order to make the climax of action with the murder more dramatic and shocking, making it more thrilling.
Mise-en-scene
is used effectively in thrillers to show and develop narrative and characters,
and also build more suspense and tension. Costume
is used effectively in thrillers to connote who a character is and what kind of
character they are or convey different meanings and ideas. For example, a scene
may have the protagonist denoting light coloured clothes and the antagonist
denoting dark clothes, which would connote that the light clothed person is
most likely the protagonist and the dark clothed person is likely an
antagonist. Using Costume to connote information about a character or convey
ideas and meanings to the audience is effective in developing the narrative and
making it a more enjoyable thriller to watch. I used this convention with my antagonist wears similar light
clothing to Jennifer Lawrence’s protagonist character in The House at the End
of the Street.
Lighting in thrillers is used to create a tense atmosphere. Typical lighting in thrillers is quite dark and filled with shadows, and the lack of light builds tension with the audience not being able to see much of the scene. Lighting is effective in creating a tense atmosphere which builds suspense, making it more thrilling to watch. This use of lighting is used in nearly every scene in The Ward. i challenged this convention in my thriller so that when dark lighting or a lack of lighting is used, it is very obvious what we are trying to connote about what will happen with the murder.
Actors are used in thrillers to connote certain meanings about a character and create drama and tension through that, for example using someone who looked menacing or ugly would connote that they are the antagonist and give the audience a better idea of who they are, for example in Shutter Island the initial antagonist is covered in scars and is always grimacing. I challenged this convention in my thriller as I wanted him to average looking, so I relied on Costume to show him as the antagonist whilst his actor helped represent the social group of an abusive male.
Props in thrillers are used in many ways, to connote meanings, further the narrative and create suspense. For example a bloody knife on the floor would connote that there is a killer about, further the narrative by the blood signifying someone has been murdered and create suspense by not knowing where the killer is but that he’s about based on his knife being left on the floor. In my thriller we have the knife on the floor and then you see briefly the killer, connoting a connection between them and building suspense, which is similar to You’re Next where she finds a weapon, and its from the killer nearby. I developed this convention with the weapon prop being found to connote that there would be action and a fight between the protagonist and the antagonist as she picks it up.
Setting is used effectively in thrillers to build a suspenseful atmosphere, for example in The Blair Witch Project, its set in the woods and at night which builds tension through the audience and the characters not knowing what’s making sounds or doing things around their tent. My thriller’s also set in the woods to get the same effect as The Blair Witch Project and make it more suspenseful, as this setting is not the natural place for the character to be.
Lighting in thrillers is used to create a tense atmosphere. Typical lighting in thrillers is quite dark and filled with shadows, and the lack of light builds tension with the audience not being able to see much of the scene. Lighting is effective in creating a tense atmosphere which builds suspense, making it more thrilling to watch. This use of lighting is used in nearly every scene in The Ward. i challenged this convention in my thriller so that when dark lighting or a lack of lighting is used, it is very obvious what we are trying to connote about what will happen with the murder.
Actors are used in thrillers to connote certain meanings about a character and create drama and tension through that, for example using someone who looked menacing or ugly would connote that they are the antagonist and give the audience a better idea of who they are, for example in Shutter Island the initial antagonist is covered in scars and is always grimacing. I challenged this convention in my thriller as I wanted him to average looking, so I relied on Costume to show him as the antagonist whilst his actor helped represent the social group of an abusive male.
Props in thrillers are used in many ways, to connote meanings, further the narrative and create suspense. For example a bloody knife on the floor would connote that there is a killer about, further the narrative by the blood signifying someone has been murdered and create suspense by not knowing where the killer is but that he’s about based on his knife being left on the floor. In my thriller we have the knife on the floor and then you see briefly the killer, connoting a connection between them and building suspense, which is similar to You’re Next where she finds a weapon, and its from the killer nearby. I developed this convention with the weapon prop being found to connote that there would be action and a fight between the protagonist and the antagonist as she picks it up.
Setting is used effectively in thrillers to build a suspenseful atmosphere, for example in The Blair Witch Project, its set in the woods and at night which builds tension through the audience and the characters not knowing what’s making sounds or doing things around their tent. My thriller’s also set in the woods to get the same effect as The Blair Witch Project and make it more suspenseful, as this setting is not the natural place for the character to be.
Some thrillers
that have inspired my work are Shutter Island, The House at the End of the
Street, and The Blair Witch Project. Shutter islands music and overall
atmosphere inspired my work as the score for the film was so well made, with perfectly
timed crescendos to build and release suspense in scenes, and making the theme well
known. The House at the End of the Street inspired my work with its narrative
being similar and helping create the relationship between my two characters, so
that it seemed real and gave me ideas on how to show that deteriorating. The
Blair witch project inspired me the most as the production company had very
little in terms of budget and they produced such an iconic film, and also using
a few actors to do so. It’s setting of the woods influenced me to use the
forest for my opening as it created a very tense suspenseful atmosphere with it
being so different from our natural habitat.
Q3
What kind of media institution might distribute your media product and why?
I chose Home-grown productions as
my company name as I wanted a name that
showed my films are “home grown” by normal, imaginative people like my
audience, so I am just like them so I know how much care and effort must be put
into my films in order to make them enjoyable and entertaining for them. These
ideas signify that my company goes to extra mile to make entertaining films for
the individual. My Ident/ logo signifies my films are modern and high budget
which connotes to the audience how contemporary my films are and that
sufficient money is put into them to make them successful. The role of my
company is to produce high quality, modern films of multiple genres, but
specialising in thrillers, that are targeted towards specific
psychographics/demographics and addressing important, relevant issues.
A production company provides the
physical means using sourced funding to create different forms of media, for
example film, radio, and performing arts. For the thriller genre there is the
potential for small production companies and major production companies to
produce quality films, from a wide range of narratives/settings, sometimes with
little funding needed. Small production companies are companies that have not
been involved in major productions, and do not a have a lot of funding, so are
usually involved in small projects or upcoming major productions. An example of
a small production company is Haxan films, which are a production company
headquartered in Orlando, Florida. They are famous after producing the
independent horror/thriller film The Blair Witch Project. The name is taken
from the 1922 Swedish/Danish silent movie Häxan ("The Witch"). The
company was founded by five graduates of the University of Central Florida Film
Program. Also known as "the Haxan Five", the company is run by
Eduardo Sánchez, Gregg Hale, Daniel Myrick, Robin Cowie and Michael Monello.
Major production companies are
companies that have been involved in major projects, such as large, popular
franchises, and also have a lot of funding from earnings and investors. An
example of this is Lionsgate who are a Canadian-American entertainment company.
The company was formed in Vancouver, British Columbia, July 3, 1997, and is now
headquartered in Santa Monica, California. They are well known for producing popular
films such as You’re Next, Now You See Me, and Snitch.
Small production companies are
sometimes subsidiary companies of major production organisations. A smaller
production company would most likely produce a low budget thriller that would
be easy to produce physically, like The Blair Witch Project which only has
Three actors and is set in the woods, in order to gain sufficient funding and
reputation to produce bigger budget films, so they can build up to becoming
a major production company. A major production
company would most likely produce a larger budgeted, action, special effects
filled thriller such as Pandorum, which is set in space, and has a lot of CGI
effects.
I think for a thriller film,
depending on the budget and production company, would either have a theatrical
release window of six weeks then be released to all other platforms or be
straightaway released onto DVD and other platforms. This is because theatres
receive most of their earnings from a film within the first six weeks and most
of the earnings would be from the other platforms, so this way it would receive
the most earnings in the shortest time.
The distributor I would like to
distribute my thriller is “20th Century Fox”. They are a large
corporation that have produced a number of highly successful films, including
popular thrillers such as Alien and Unstoppable. The organisation itself is
large and complex with many subsidiary companies. 20th Century Fox was founded on
May 31st 1935 by a merger of 20th Century Fox Pictures
Inc. (founded in 1935) and Fox Film corporation (founded in 1915). It was
founded by Joseph M Schenck, Darryl F Zanuck and William Fox. Their
headquarters is located in Los Angeles and its parent company is the Fox Entertainment
Group. The genres they are usually involved in are Sci-fi and action however
they have produced many films of other genres including sub/hybrid genre
thrillers such as sci-fi/action thrillers like Predator and Alien. They are an
appropriate institution to produce my thriller as they have a large support
basis for funding with not only using their own earnings, from many of the
large franchises they have helped produce such as the first few instalments of
star wars, but also private investors and such. This would mean that they could
support them film in making it high quality, professional and entertaining.
They are also a well-known film distribution/production company and having the institutions
name and logo on our film would reassure our audience of the quality of the
film, based on films they have previously seen from that production company.
The order in which my titles are
set out are firstly the production company Ident and the directors name, so
that these are the names my audience will remember and look for in my other
films they may want to watch. Then I have the actors, so that the audience see
if any of their favourite actors, who have the star personas of the characters portrayed,
may be in film, and want to continue watching it. Then I have the crew such as
director of cinematography or set design, so the audience will see who worked
on what area and may recognise names from other films. Finally will be the thrillers
name so that the audience can relate what they’ve seen to what the films
called. This is all so that they will make links with my film to others, in
order to get a good judgement on the quality and whether it will be
entertaining.
My thriller would most likely be similar
institutionally to thrillers such as The Roommate or The House at the End of
the End of the Street as they are produced similar in terms of quality to my
thriller opening with the setting and the budget. They have also been distributed
in different ways: with The House at the End of the Street having a theatrical
window before being released onto other platforms, whilst The Roommate being
released straight to DVD and other platforms. This is similar to how I would
like my film to be distributed as I would like a short theatrical window of six
weeks before being distributed onto other platforms.
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