Friday, 12 December 2014

Evaluation Question 2

How does your media product represent particular social groups?

My chosen social group, who I wanted to represent, were young people/young couples of any demographics; aged 16-24, so that it would be relevant to everyone of that age range, and a socio-economic class of E/D, which is students and those unemployed (E) or those who are in jobs that do not require extra education (D), like retail, as they wouldn't be earning a lot and couldn't go and  do exciting things yet, so would want to watch something exciting and serious. we had no set ethnicity we wanted to represent but we wanted a British person to play the lead role as its a British film, so would most likely be appealing to a English native speaker. Overall I wanted to convey the issue of that age group’s vulnerability and how serious it can be.

Here is a still of the main role, played by Leona Bilby. I wanted to represent her character as our protagonist but also as the victim in the thriller, with her being hunted by the antagonist, psychotic ex-boyfriend, played by Cameron Price. These two roles are similar to the roles within other thrillers such as The Roommate or The House at the End of the Street. The protagonists within these two are both female, who are being abused or attacked by someone who was at some point close to them, similar to most abusive relationships, so these are characters that are emotionally traumatised. In my thriller and those thrillers the protagonists wear not very much clothing so that when they are being chased in dark outdoor places the fact they are vulnerable to not only the antagonist but also the elements is emphasised. This is also a form of sexualisation where the females are wearing low cut tops and even though they are in serious, traumatising situations they are still represented as sexual. The antagonists also wear dark clothing and have make-up to make them look tired and more menacing which connotes they are the antagonist and the fact they have more clothing emphasises the sexualisation of the female protagonist.
 
Leona was chosen for her role mainly because her acting was quite good, shown in her audition. In her audition she showed that she could play someone who was terrified effectively and we already knew her star persona was of someone who plays victims/ protagonists well. she is stereotypical for her role as she is blonde, attractive, and is young, which is the stereotype for female protagonist in thrillers. Examples of this are Jennifer Lawrence in The House at the End of the Street, Sharni Vincen in You're Next, and Amber Heard in The Ward.

 

We used age and gender for her role through using a young woman, which Leona is close to in age wise, in order to represent the most vulnerable people in that age group. She was used as statistically most cases of domestic violence and other forms of abuse are experienced by young people of this age group, especially women, as shown in the chart below. I wanted to show my audience what someone who is actually in an abusive relationship would look like in order to convey the message effectively, because if we had changed  the gender and age it wouldn't have seemed as real as it does in the film. 
We used Leona appearance wise as she looks like your stereotypical teenager/young woman. Being young looking, attractive, and blonde, which is what most people imagine when asked to picture a typical British teenager. This is stereotypical to many thrillers with female protagonists.  This means that there is less focus on who she actually is as a person but more focus on the idea and issue of vulnerability she is representing for the social group we chose; young people/ young couples.
I chose Leona's character's costume to convey the theme of vulnerability. I had her running through the woods denoting ripped pyjamas, which did not look warm and it was winter weather, so it looked very cold as well. This connotes how with her being vulnerable to the elements with her clothing, she is also vulnerable as a character to the antagonist. This helps her represent the idea of the social group being vulnerable to their abusers. The costume I chose is however not following the conventions of most thrillers. Many of the females are sexualised through their costumes, wearing shorts or low cut tops and vests, but I wanted the audience to just empaphise with her and not sexualise her in any way which is why her clothing is not revealing in any way.




I used a lot of close up and extreme close up shots in order to connote the themes of secrecy which conveys the ideas of vulnerability. Using close ups and extreme close ups hid a lot of what was actually going on to the audience, so they only saw small details. This relates to how many people don't actually see the abuse in an abusive relationship as people outside of it only see small portions of their relationship, which represents the social group as it's another reason why many young people are vulnerable as no one knows it is going on. 
I used the picture props to represent the social group through showing the reality of an abusive relationship. The pictures throughout the opening get less happy and show the relationship deteriorating with each picture. This connotes how the abuse in real life abusive relationships doesn't  start straight away, which is why it's harder to get out of the relationship, which is again another reason why this social group is vulnerable. 
Overall I wanted represent the social group of young people/young couples to show their vulnerability which I did through creating a thriller opening based around an abusive relationship. Even though domestic violence is one of the extreme situations when it comes to young people's vulnerability, I wanted to use something extreme to emphasise the idea of their vulnerability and how serious of an issue it is. I believe I represented this social group and the issue of their vulnerability quite well with my choice of Mise-en-Scene and character. I think this issue is also explored in other films such as The House at the End of the Street, The Ward, and The Roommate.

 

Eat. Sleep. Breathe Opening

http://www.youtube.com/watch?v=mz3Dis6_eos&feature=player_embedded

Wednesday, 26 November 2014

Risk Assessment


Risk Assessment

 

As me, Sam and Cameron are filming in the woods, we need to take care when filming to ensure no one is hurt or injured. Some of the props could cause injury if not used appropriately and so measures need to be taken to ensure that we are all safe and we do not get hurt.  

Possible Risks
Danger of Risk
Prevention of Risk
 
Getting wet mud on feet
 
Slipping over/falling
Make sure that appropriate footwear is worn or avoid muddy areas if possible
 
Equipment in the way
 
 
 
Falling over/tripping
 
Make sure that all equipment is tidied away to ensure no one can fall over
 
Knifes/nails
 
Could injure or cut hands/body parts
 
Make sure that they aren’t used carelessly `
 
High angled shots
 
Could fall over if standing on a chair/box
 
Make sure that the chair or box is sturdy and you won’t fall off

Costume


Costume

 

Cameron’s Costume –

Cameron will be wearing smart/casual clothes like the ones shown in this picture. Cameron’s character is very dark and he commits a crime by hurting Leona’s character. This costume makes him look powerful and important and it fits with his dark persona. In the flashbacks Cameron is wearing casual clothes because it’s supposed to make the flashbacks look as realistic and normal as possible.

 

 





Leona’s Costume –

Leona will be wearing pyjamas. The reason for this is because she has just escaped from hospital and so she is still in her clothes from the hospital. On her face she will have make-up that will imitate bruising/cuts and blood. This will add affect and make her character fit with the story. In the flashbacks Leona will be wearing casual clothes because these are supposed to look like casual, normal scenes.

 In some of these flashbacks, Leona will have bruising done by make-up as well.

 

In the flashbacks Sam will be wearing casual clothes to again make sure that they look as casual and as normal as possible.

 

Wednesday, 19 November 2014

Lighting


We have decided to use lighting in both locations to create suspense and show the difference in location.
For the Bourne Woods scenes, where it is present day for our protagonist, we will film early morning times when the sun is bright but low which will create shadows and build suspense, which with the other areas of Mise-en-scene, camera work, sound,  and editing will make it very tense to watch. With all of this i think that it fits the thriller genre well as it helps to make other areas of our film more suspenseful. It will also be easier to edit with filters.



For the apartment scenes we are going to film when its night so that when using just the lights indoors it will create a lot of shadows which will help add suspense to the scene. I think this suits the thriller genre well as again we are using the lighting to create suspense for the other areas of filming.

Sunday, 16 November 2014

Thriller opening Timeline initial ideas


  • Ident 5 seconds 
  • 0-5 seconds- multiple angled long shots of her running into the scene only showing her feet 
  • 5-10 seconds- mid shot from behind of her stopping at a tree and catching her breath- title: A Homegrown Production 
  •  10-20 seconds-shot reverse shot- her hand by picture, her reaction, and her pulling it off, close ups and extrem close up at end. Shows name on picture:  Leona Bilby 
  • 20-25 seconds- flashback- her laughing with Cameron, being romantic, long shot
  • 25-31 seconds- tracking close up of her dropping the picture and another title where the picture lands
  • 31-36 seconds- tracking mid shot of  her legs from behind as she's walking 
  • 36-39 seconds- high angle shot of her walking towards the camera Almost
  • 39-42 seconds- over the shoulder shot of the path as she's walking 
  • 42-45 seconds- close up birds eye shot of her walking and stepping near another picture with the title: Cameron Price 
Flashes to white
  • 45-49 seconds- flashback- mid shot of Cameron drinking alcohol and putting it down
Flashes to white
  • 49-55 seconds- Cameron hitting Leona and then zooms into the cut on her face 
  • 55-58 seconds- extreme close up graphic match of the bruise/ cut on her face 
  • 58-63 seconds- panning long shot of her walking- pans round her front 
  • 63-68- tilting extreme close up shot from behind, showing dirt and blood on her dress plus a title in her dress
  • 68-71- mid shot focus pull of her walking towards the camera
  • 71-81 seconds- POV shot of her walking, seeing a picture hanging by string then pulling it off and looking closely showing title : Sam Parker
Flash to white
  • 81-84 seconds- flashback-  long shot all 3 characters laughing together 
Jump cut
  • 84-89 seconds- long shot Cameron and Sam fighting with Leona in the back ground upset
  • 89-94 seconds- high angle long shot of her holding the picture, throwing it then walking away faster 
  • 94-97 seconds- canted low angled mid shot of her stumbling and falling
  • 97-102 seconds- close up of her hand on the floor and the a piece of cloth or wood with a title on it 
  • 102-106 seconds- mid shot of her getting up and walking again 
  • 106-111 seconds- panning close up of her walking past blood and a piece of fabric nailed to the tree with a title on it 
  • 111-115 seconds- long shot of her walking away fast
  • 115-119- long/mid high angle shot of her entering a clearing 
  • 119-123 seconds- cut away to grey sky 
  • 123-128- mid shot of her stopping and reaction 
  • 128-140 seconds extreme close up of a bloody hand/knife which zooms out to reveal it's Cameron 
  • 140-144 seconds- cuts away to the grey sky again 
  • 144-154 seconds- movie title appears over the grey sky


Here are some shots that will be similar to what we will shoot. They are similar to some of our shots particularly for the camerawork, for example the use of low angle shots or extreme close ups and focus pulls. These are important to us because they grab the audiences attention and create a lot of suspense whilst keeping a lot of mystery to the film, which is important for an opening as you only want to connote some of the narrative but not so much that you give it away. 
Also the use of mise en scene in the first two shots is significant. They are used to connote the narrative, as they use props and lighting that is similar to what we see in morgues and funerals, this connotes the narrative has themes of death and the setting could be these places. 

This is the initial ideas timeline so this may change a lot as we plan more in depth what we will do and think more carefully about the narrative and what we are connoting. 

Thursday, 13 November 2014

Six Feet Under Title Sequence Analysis

The opening sequence to Six Feet Under inspires me in several ways. The camerawork style for example, is something I'd like to use in my thriller opening because of the wide range of shots used and how they are edited together to create effective continuity. Another thing is their use of Mise-en-scene, as there had to have been a lot of planning involved so that the Mise-en-scene, especially the lighting, worked so well in representing certain themes. Its this kind of work and effort I want to incorporate into my own Opening.

The first shot is at first an extreme long shot that zooms out even further becoming a close-up shot of two dead hands held together, which then come apart to reveal the stark white typography. I think they used the zooming out long shot in order to surprise the audience with the dead hands, which could connote to the narrative or be linked to the tree in the background.
The use of Mise-en-scene is effective through the use of lighting, make-up , and setting in this shot. Lighting is used effectively to create shadows and silhouettes. The daylight in the scene creates dark shadows on  the hands and silhouettes the tree in the background. This emphasises how dark the hands colour is and could connote the darkness surrounding death within the narrative. it also makes them as dark as the tree, which is silhouetted against the sky, which could connote a link between death and that tree.
Make-up is used effectively as you have a pair of hands that have been made to look dead showing narrative and a key theme. Its important as in the first few shots the audience sees these hands and knows what the narrative will include; the theme of death, which shows them the genre of the show.
Setting is also used effectively to show some of the narrative. the single tree silhouetted against the sky connotes the tree is an important part of the narrative but also emphasises the empty sky, highlighting the theme of emptiness.

This shot is an extreme close up of hands being washed in darkness whilst typography appears, contrasting the darkness. I think this shot was used to show opposites and contrasts. The living hands in the darkness directly contrast the previous shot of the dead hands in daylight. This could connote a theme of the contrast between the living and the dead within characters and narrative.
Mise-en-scene is used effectively with lighting being significant in this shot. The light sparkles off of the water on the hands and overall the hands contrast the background. with the hands, which are practically sparkling, with light, almost being swallowed up by the darkness in the background, I think this is connoting how life which is precious (in the narrative) is easily swallowed up by death.

This shot is a close up, dolly shot of a hospital/morgue gurney  travelling down a hallway but the camera is facing in reverse so that we see a silhouetted man walking away from a bright light at the end of a corridor. I think this shot was used to connote that the silhouetted figure is the soul of the man on the gurney and is trying to escape the light, which represents the afterlife, which could connote some of the narrative or themes.
Mise-en-scene is used effectively with lighting, setting and props connoting key themes, narrative and genre. Lighting is used to show the afterlife through an extremely bright light so that the light is the end of the corridor, which silhouettes the man , connoting he may be dead. This is important as from seeing this the audience can see what could be part of the narrative and the genre of the show.
setting is important here for this shot as the corridor allows the other areas of Mise-en-scene to work better. For example the gurney would not have shown that this was a hospital or morgue alone, but with the corridor it look like that.
The gurney prop was an effective choice of props. this is because it instantly shows where the show is set (with other areas of Mise-en-scene) and shows the morbid narrative and the genre.

This shot is an extreme close up of a liquid being extracted by a syringe. I think this shot was used to show just the medical themes within the show and highlight them as being important so the audience recognise the genre. The use of the Props here was important as it reinforces the setting and the narrative ideas they have already given us, the audience. it connotes themes of death and hospitals/ morgues.

This shot is a low angle long shot of a hearse with its door open. I think this shot was used to connote the size and power that the hearse has within the narrative but also make us feel small and vulnerable which could also be an important part of the narrative.
Mise-en-scene is used effectively with lighting as with the lighting shining brightly through the windows connotes a direct link between the hearse and the light, which represents the afterlife.

Editing was important with the use of typography. They used a serif font that was either black or white so that it would contrast the background. I think this was important as it connotes the theme ofcontrasts within other areas of the show.

Sound is important throughout the piece in creating a weird/eerie atmosphere.  Composed by award winning composer, Thomas Newman, the theme song to six feet under is a happy but asynchronous soundtrack with it being a complete opposite to the themes shown visually throughout the opening. this creates a tension that the audience will see and create the weird atmosphere the show was looking for.

The title sequence is effective for the genre and as an introduction to the show through how it shows the key themes and some of what the narrative is. For example the use of the things visually that represent death such as crows and graveyards show the theme of death and these are used throughout the opening. It is important for this opening to show these as the audience will want to know quickly what the genre is and what the narrative could be if they are to continue watching, which they do here.

Costume List

  • Leona-
    • white nightie sort of dress
    • dress dirty and ripped
    •  bare foot
  • Cameron-
    • waistcoat
    • long coat
    • skinny jeans
    •  trainers
    • white shirt could have blood on it 
  • Sam-
    • casual clothes like a t-shirt and jeans for example 

Prop List


The Props for our thriller opening are significant as they are where most of our typography is situated.

  •  Pictures: we are going to take some stills from the flashback scenes to make into polaroid like pictures which we will write some of the typography like the names of the actors on, then we will put them up around the woods when we shoot so that when the protagonist finds them it will initiate a flashback. These are important for the opening as they help develop the narrative within it and show what could be the narrative later in the film. They also show some of the themes that will be part of our film such as the obsessive ex-boyfriend, shown through how he has nailed their pictures up in the forest. They will also help create a suspenseful atmosphere as its eerie and weird atop have photos of you nailed to a trees.


  • Metal nails: we're going to use these to nail the pictures to the tree and for aesthetics. The nails will be used to add to showing how the boyfriend's obsessive with him nailing photos to the trees and also if we stick nails elsewhere will have the same effect. This fits with some of the typical conventions of the thriller genre as the nails help connote the theme of obsession and danger and also help show the genre of our piece.
 
 


  • Hammer: The hammer has practical use for nailing the pictures to the trees but also help create a suspenseful atmosphere. we are planning to have it composed in one shot on the ground covered in blood and this will help create suspense as we don’t know whose blood it is or who left it there. This uses some of the typical conventions of the thriller genre with how the Mise-en-scene is creating the atmosphere and showing the genre of thriller through mystery and danger.
  • Lighter: we will use the lighter to set some things on fire or much like the hammer, have it lying around to create suspense with blood. This uses some of the typical conventions of the thriller genre with how the Mise-en-scene is creating the atmosphere.
  • Wood: This will be used to show some of the titles which will add suspense to the piece and help show the genre. Having a title burned or scratched into the piece will show the themes of danger and obsession much like the pictures and the nails. this follows the typical conventions of thrillers with it being used to show the genre of thriller and to create an atmosphere when showing typography.
 


 
  • Ripped clothing: much like the wood we will use the ripped cloth to create suspense, show the genre and show titles. The Cloth will have some typography and may be burning or covered in blood to show the themes of danger and obsession, and also create suspense through this. this follows the typical conventions of thriller as the cloth and clothing is showing our genre and creating suspense.


  • Alcohol:we will use alcohol in order to connote the source of the violent relationship and create a more in depth back story and further the narrative.

Overall all of our props are used to either show the genre or create suspense or both and all suit the narrative very well. because of this i believe they allow our piece to be suitable for the audience as they show mature themes and create a lot of suspense which for our audience (of 16 and up) fits well.

 

Checklist


  • script- detailed with plot included
  • shot list- detailed with where, who is in it and such stuff
  • costume list- planned with what we have, what we need and why we are using those.
  • location scouting- planned in detail with pictures of exactly where we are shooting.
  • make up planning- what we need
  • lighting planning- detail with exactly how and what lighting we are using.
  • Prop list- which props we have and what we need and why
  • sound and music list-which soundtracks we are using and when they are being used.

Wednesday, 12 November 2014

Digital Kitchen research


Digital Kitchen

Digital kitchen is a creative media agency responsible for advertising and film production for notable campaigns. Founded in 1995, this award winning agency have created pieces of design, motion graphics, and film work within the commercial, network and entertainment industry. Their most notable work has been the opening titles of Dexter, True Blood and Nip/Tuck and they have worked with large companies such as HBO, AT&T U-verse, Target, Levi's, Microsoft and Sierra Nevada Brewing Company. In October 2014 they merged with communications design firm, Methodologie.

Notable Campaigns:


·         Sierra Nevada Brewing Company "Brand Story"

·         Stanley Piano "World's First Interactive Player Piano"

·         Atlantic Lottery Corporation "Ask Away Campaign"

·         Cosmopolitan of Las Vegas Digital Experience

·         True Blood Season 2 "Hacked Reality"

·         BMW "Unscripted Series"

·         Big Love "A Juniper Creek Christmas"

·         Levi's "Unbuttoned"

Awards:


·         2002 Emmy "Outstanding Main Title Design" for Six Feet Under

·         2005 Telly Award "Main Title Design" for Nip/Tuck

·         2007 Emmy "Outstanding Main Title Design" for Dexter

·         2009 Art Directors Club Award "Television and Cinema Design" for Seattle International Film Festival Trailer[12]

·         2010 IAB Mixx Awards "Best In Show" True Blood Season 2

·         2010 Webby Award "Peoples Choice" True Blood Season 2

·         2010 Gold Effie Award for True Blood Season 2

·         2010 "Freakiest Ads" by Adweek for A&E: Baby Hoff

·         2011 The One Show "Design Gold Pencil" for Cosmopolitan of Las Vegas Digital Experience

·         2011 Cannes Lions International Advertising Festival "Design Grand Prix" for Cosmopolitan of Las Vegas Digital Experience

I believe that these could be a suitable institution to produce my thriller because of the audiences they target, the genres they work in, and the quality and variety of work they produce.

They usually target audiences of Young adults to adults, with demographics and psychographics similar to mine. For example, our demographic is an age range of 16-50 with no specified gender, and a socio-economic class of C or below, which is similar to the demographic of Dexter, True blood etc. So I think they’d be suitable to produce it as it’d be much like the work they have produced before in terms of audience, so they’re familiar with the conventions needed.
They usually work in a genre of drama, action and thriller, and we are producing a thriller. For example, Dexter is a dark humored drama/thriller series. So because they have produced opening sequences for shows that contain similar themes we could rely on them to use the correct conventions for the genre.
I also believe that because they create a wide range of different pieces of media they have the most experience which is something we'd want from someone we were paying to create our thriller.